Plain Or Pan?
Love Will Tear Us Apart again and again and again, plus more…
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I came to Joy Divison in a roundabout way. When ‘Love Will Tear Us Apart’ was released, in fact when any of Joy Division’s stuff was being released, I was totally unaware that it/they existed. In my defence I was a bit young (about 10) and too young to be a post-punk. I was more into Adam and the Ants, Madness and The Specials, and I spent 99p of my £1 pocket money every Saturday morning in John Menzies on whatever had taken my fancy from Thursday night’s Top Of The Pops. I remember running, sprinting up the road with my 7″ of ‘Stand and Deliver’ and playing it to death for the next week.
I didn’t know about Joy Division until 1985 and I discovered the Smiths, Echo & the Bunnymen et al for myself. I never had a cooler big brother or sister or cousin or uncle. I didn’t know anyone that was cool. At school everyone was into Duran Duran, Kajagoogoo and all that crap. The big album round about Christmas 1983 was Paul Young’s ‘No Parlez’. You can get it these days in any charity shop that still sells vinyl. That and Michael Bolton’s back catalogue. Paul Young had hair like a bog brush, wore suits that looked like they were made out of blue tinfoil and he had thought he sung like Otis Redding when I now know he sounded more like Noel Redding than any black man I’ve ever heard sing. I taped ‘No Parlez’ from someone, and that’s where I first heard ‘Love Will Tear Us Apart’. I thought Paul Young wrote it. It sounded like one of his songs. Slow. Dead slow. Took ages to finish. Was full of keyboards and wanky fretless bass. It wasn’t very good. Fast forward a couple of years. In 1985 I was an album-buying geek. I read sleevenotes. I knew who produced albums, where they were recorded, who wrote what. I was at my pal’s one night and we were going through his old albums and laughing (Lionel Richie ‘All Night Long’, Go West ‘Live’!!!) and I found his copy of ‘No Parlez’. Reading the sleevenotes was when I found out that that ‘Love Will Tear Us Apart’ was a Joy Division song. I went out and found the 7″ in a second-hand stall. It sounded fantastic and I played it to death. Even more than ‘Stand and Deliver’. I bought everything I could find that said ‘Joy Divison’ on it. Then I found out that Joy Division had become New Order. I was off and running again. Spending money I didn’t have on singles and albums I had to have. You just don’t get that rush from downloading.
Here’s some rare Joy Divison for you:
‘Love Will Tear Us Apart’ February ‘79 Peel Session
‘Transmission‘ Martin Rushent demo, Eden Studios London
‘Chance‘ (early demo of ‘Atmosphere’) Pennine Sound Studios Oldham
and here’s a couple of ‘Love Will Tear Us Apart’ cover versions:
French disco outfit Nouvelle Vague’s jazzy, almost bossa nova, female-sung version with added wave effects. Squarepusher’s faithful version from their ‘Do You Know Squarepusher?’ (answer: Radiohead certainly do. The wee thieves) that sounds like it’s sung by David Gedge of the Wedding Present.
This is Planet Earth bah bah bah!
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Simon le Bon. Wanker. As everyone knows. Anyway, as everyone also knows, Prince gave away his new album free with The Mail On Sunday and we’re all up in arms about it. “We supported him when he was nothing” moaned the record shops. “We can’t name his last 2 albums” admitted the public (‘3121′ and ‘Musicology’, if you don’t count the ‘Ultimate Prince’ Warner Bros Christmas cash-in). “We just download stuff for free” said the iPod generation. “And who is this Prince anyway?”
So it is a big deal, but not that big a deal. If it was the Red Hot Chili Peppers or the Killers who had done this, it would have been a huge deal. Massive. But they’re signed to record companies. Prince is a one-man band in every sense. He picks and chooses who’s going to release his next record. He can do what he likes, and he did. He won’t make any money from album sales. Relatively speaking, not that much. ‘3121′ sold 82,000 copies. At £1 a sale, that’s £82000 he’s made. It probably cost him more to record etc. Next month he plays 20-odd dates in London to 20,000 folk a night, at £31.21 a ticket. That’s (quickly does mental maths) £624200 a night. After he’s paid all his overheads and stuff, he won’t be much short of making half a million a night, or £10million for the series of shows. So maybe the tax man takes a big chunk of that, but add merchandise sales on top (how much is a concert T-shirt nowadays?) and it’s easy to see he’s raking it in. His name is Prince and he is funky. And he is loaded. Everyone who bought a ticket for his London shows got a free album as well. So giving his album away to a newspaper means nothing to him. It’s been said that the Mail On Sunday gave him £250000. Small change. I also read that they sold an extra 600,000 copies on Sunday. At £1.30 a pop, that’s a tidy wee profit they’ve made. Quarter of a million is small change. But most of those ‘new’ readers won’t be back next week, or indeed any time soon until they start giving away the new U2 album for nothing.
Thing is, ‘Planet Earth’ isn’t that bad. But because it’s free, most folk’ll play it once and file it away, or bin it. If I’d bought this album, I’d be playing it over and over until all the songs sink in. The sequence of songs seems to follow a slow-fast-slow-fast order and I prefer the fast ones. The first track’s pish. It’s drippy, slushy romantic drivel and goes off into Barry Manilow’s ‘Could It Be Magic’ at some point. No matter how many plays, I’d still be skipping it. But ‘Guitar’ sounds great, even if the intro sounds like Razorlight ripping off U2’s ‘I Will Follow’. ‘The One U Wanna C’ looks and sounds like old-skool Prince, like ‘Raspberry Berry’ with extra slappy bass, and ‘Chelsea Rodgers’ is as funky as they come, all Mavis Staples vocals (I think), clipped Chic guitar and Bootsy Collins slap bass (again). ‘Lion Of Judah’ begins like my old band trying to play ‘Purple Rain’ but speeds up and sounds all the better for it. There’s the odd falsetto number that doesn’t do much for me, and the last track ‘Resolution’ sounds like it was written by a Primary 7 pupil, but overall the album’s OK. Honest! If you don’t already have it by now, you’ll find all the tracks in this folder here. Click on the + sign on the right hand side of the song title and download in the usual way. And here’s the sleeve…
Footnote. Apparently Madness will be the next one’s to do the big giveaway, with a whole album of new stuff cover mounted with The Sun. Shame on you Suggs, Chas ‘n’ co. That’s one step too far beyond.
I love this record
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Poor Travis. They’ve had their day. Back in ‘97/’98, you couldn’t turn on the radio without hearing them. They were everywhere. Every other trolley in the checkout queue at Tesco had a wee copy of ’The Man Who’ next to the nappies, bottled water and whatever else the masses were buying. Everybody loved them. As Noel Gallagher said of ‘Wonderwall’, “Once the nerds get involved, man, it goes insane. That song made me £4 million, £4 million count ‘em, in one year alone.” And boy, the nerds loved Travis. I say ‘loved’ in past tense, cos they don’t love them anymore. They’ve all moved on to James Morrison or Paulo Nuttini or Coldplay (are they still relevant?) or bloody Snow Patrol or someone. Point is, no-one buys Travis albums anymore. Which is a shame, cos they’ve still got a good knack of complementing the jangling 12 string acoustic ‘n’ electric guitars with a decent melody. Like this. Selfish Jean. On constant repeat round our house. I don’t care that it’s square, nerdy and not trendy. I don’t care that it sounds like ‘Lust For Life’ on Smarties rather than heroin. I don’t care that there’s a daft line about wiring chocolate biscuits to a car alarm. I don’t even care that Teenage Fanclub and the Trashcans do it better, it’s a fantastic record and that’s what matters. Travis are an outdated band for outdated people like me, but more fool you for disgarding them around 2002. It’s not too late to redeem yourself.
Still got it 10 years later
Oranj Peel
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So, T in the Park came and went, and going by what I watched on telly it was just like Glastonbury with kilts on. The same acts, the same sets, the same presenters, the same mud, the same audience. The same pish if you ask me. Wean’s World.
It’s hard to come up with any highlights from T, but if there was one it would be the faux pas the singer from Arcade Fire (Wim Butler) made. Telling the crowd that the band had stayed in Glasgow the night before their slot he went on to say, “What the fuck was that parade all about? It was awesome. You guys really know how to play a snare drum.” Cue much booing and many ”Get tae’s!” from the soggy masses. It turns out Mr Butler and co had just witnessed their first orange walk. What a walk to witness as well. Given the date at the weekend, it would have been the big one.
The phenomenon of the orange walk may be unfamiliar to some of you so I shall try and briefly explain. In Ireland and in the West of Scotland there is a strong anti-Catholic organisation called the Orange Order. Yes, it’s not just Muslims that get it from us. Anyway, this lot like to remember the Battle of the Boyne which took place over 300 years ago(!) in July 1690, when King William of Orange (King Billy) defeated King James’ and his attempts to regain the thrones in Scotland and England as well as Ireland. Do some googling and you can find out all you need to know. These days, the Orange Order and their associated walks on and around the 12th of July are used by Rangers FC shirt wearing thickos to shout, swear and sing obscenities about Roman Catholics and should really have no place in 21st Century society. That’s why the Arcade Fire were booed. Nice to see the kids of today rubbishing the orange walk. With any luck, these parades will eventually die out, just like my failed attempts here at a bit of political writing.
And now for the music bit. Here’s 4 tenuously-linked tracks related to the 12th of july and it’s associated rubbish…..
Kicking things off, two Libertines tracks. First, from their much bootlegged Legs 11 demo sessions, ‘Hooray For The 21st Century‘. Secondly, ‘Boys In The Band‘ from an XFM session 2002 (exact date unknown).
Next. The Arctic Monkeys got famous on myspace etc and everyone knew the words to all their songs before they were even released. File sharing? Great, eh? Hooray for the 21st century! Here’s their first demo of ‘Scummy Man‘.
Finally, the fantastic Fall. Taken from the Complete Peel Sessions Box Set, which you really should own by now, is their ‘Kurious Oranj‘ from the 31st of October, Nineteen Eighty-eight-ah. Trumpets, giant hamburgers and ballet dancing. No-one does it or says it like Mark E Smith.
Pained and intense, man
They were inquiring.
They were Kurious Oranj…
They rode over peasants like you, they rode over peasants like you,
And their horses loved them too, and their horses loved them too.
They Were Kurious Oranj. They Were Kurious Oranj.
They built the world as we know it, all the systems you traverse.
Rode slipshod over all dumbshits.
They were Kurious Oranj…
Cover version of the month, possibly the year
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From the new Patti Smith album ‘12′, here’s her version of ‘Smells Like Teen Spirit’. It starts quite quietly, so be patient. It’s worth the wait. See all those words that you could never make out Kurt singing? You’ll get them all now. “It’s fun to lose and to pretend. She’s overboard and self assured” So that’s what he was mumbling! It’s so great it’s my Cover Version of the Month. Possibly even the Year.
Remember – no Patti Smith, no PJ Harvey. Here’s PeeJay doing Bob Dylan’s ‘Highway 61 Revisited’. It starts quietly as well, strangely enough. It’s so great I had to post a gratuitous picture of PJ in her underwear………
(funny quote should be here)
Re-re-reconsider baby
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‘Reconsider Baby’ is quite possibly my favourite Elvis tune. Not a lot of people know that, as Michael Caine might say. The origins of the song go way back. What follows here is a wee history of the track and 3 versions for you to download and compare.
Lowell Fulson wrote and recorded his original mid-tempo blues version for Chess in 1954. It features some nice bluesy guitar licks (Eric Clapton was clearly paying attention) and some honkin’ sax (every blues band this side of Memphis were also listening). It proved to be his only hit on Chess but as well as Clapton and all those other blues plodders, Elvis Presley was opening his ears.
In 1954 Elvis was still a couple of years away from breaking big, and would take an enforced break (and haircut) from music when he went off to do his National Service. On March 20th 1960, he went into Nashville’s Studio B (15 days after leaving the army) and over the course of 2 nights, 2 nights, Radiohead!, recorded the 18 tracks that would make up the 12 ‘Elvis Is Back’ tracks plus assorted b sides. Elvis was worried that he might have lost it since being in the army, as if being stripped of the quiff by the army barber would somehow render him useless on record. ‘Reconsider Baby’ was one of those 18 tracks and it smoulders, swings and just plain rocks to this very day.
The track has also been recorded by, amongst others, Chicken Shack (a bit Booker T-ish), Earl Hooker (standard blues ‘n’ organ fare, see also Freddie King), Bobby Bland (excellent, slow and soulful version), Eric Clapton (nice Cream-esque fuzzed guitar, horrible soulless vocal) and relative blues newcomer Joe Bonamassa. His version is pretty good. It starts a bit like Funkadelic’s ‘Maggot Brain, goes a bit Led Zeppelin ‘Since I’ve Been Loving You’ as sung by a bad Joe Cocker in the middle, and ends up sounding like the theme tune to ‘Taggart’, the top Scottish Police drama on TV. Really. I like it! (This track and Taggart).
Joe Bonamassa - great musician but a fanny
